I remember going to the UK Comic Art Convention in 1990 and attending a talk on adult comics where Melinda Gebbie told us about Lost Girls, the erotic graphic novel she was producing with Alan Moore. I even have the first two large format copies of the series, as published by Kitchen Sink, collecting the first six short chapters. Finally, sixteen years later, the collected graphic novel is going to be published by Top Shelf.
The novel is about Alice, from Alice’s Adventures in Wonderland, Dorothy, from The Wizard of Oz, and Wendy from Peter Pan meeting up in an Austrian hotel in 1913 as adults. Their famous earlier adventures are reinterpreted as tales of their early sexuality. This has been a source of some controversy as Great Ormond Street still holds the rights to Peter Pan in England and has issues with the subject matter.
Lost Girls’ art is watercolour and ink, slightly clumsy and naive looking with rather elongated characters. The heroines are not are not the big titted, long legged secretly subservient amazons of most erotic (and many superhero) comics but moderately caricatured visions of normal body shapes. The sex is the sort that takes place as much in the head as on the page and presented with all the care and creativity you’d expect of Alan Moore. I haven’t read the whole book yet, but I want to. However, I’ll take a stand and say that Omaha the Cat Dancer is still the greatest erotic comic of all time. I’m just waiting for the completed story to be collected so I can have all the volumes on my bookshelf.