Transformers: Dark of the Moon.
Transformers: Dark of the Moon.
Mega-shark vs Crocosaur. Oh yes, the superpowered prehistoric shark is back, and now it’s battling Crocodile Dundee’s worst nightmare.
via this post on io9, which has a few other trailers worth watching.
Hack/Slash is not the same idea as the story I’m currently considering, but it comes from a similar place. I knew somebody had to have done something like this.
Hack/Slash is an ongoing comic books series, launched from several one shots of the same name, published by Devil’s Due Publishing that has also been adapted into a stage play and a feature film.
The series, starting as a series of one-shots, was created by writer and sometime penciller Tim Seeley.
The focus of the series is on a horror victim, Cassie, who strikes back at the monsters, known as “slashers”, with Vlad, a disfigured “gentle giant” who frequently wears a gas mask.
As research for a story idea (which, if written, I’ll probably be releasing under a pseudonym, though it may be as transparent as Gareth Pattinson) I’ve seen the legend of the Cropsey (or Kropsy) Maniac cited as inspiration for more than one story. Amongst these films, and one which I watched last night, is The Burning a by-the-numbers but entertaining summer camp slasher which actually calls its killer Cropsy.
The film Cropsey is a documentary about the legend and how it collided with reality in a bunch of child disappearances on Staten Island. The film’s website has more information. I can’t find any other mentions of the legend online except in relation to the film- here’s the Wikipedia article about it– which seems a little odd.
The final girl is a horror film (particularly slasher film) trope that specifically refers to the last woman or girl alive to confront the killer, ostensibly the one left to tell the story. The final girl has been observed in dozens of films, including Halloween, Friday the 13th, A Nightmare on Elm Street, The Texas Chain Saw Massacre, Hellraiser, Alien, and Scream. The term was coined  by Carol J. Clover in her book Men, Women and Chain Saws: Gender in the Modern Horror Film. Clover suggests that in these films, the viewer begins by sharing the perspective of the killer, but experiences a shift in identification to the final girl partway through the film.
No Strings Attached.
Friends With Benefits.
Did someone send the same script out twice for those two?
Alien Grey: Zone X. (I forced myself to watch the whole trailer. Now I must share the pain.)
The Wicker Tree.
A bonus trailer, I didn’t feel like holding on to this one until Sunday. Paul is the next Simon Pegg/Nick Frost film.
Of Dolls and Murder.
All Good Things.
We Are The Night.
The Way Back.
The Last Seven.
The Dark Lurking.
Burke and Hare.
Death Race 2.
The Girl Who Kicked The Hornets’ Nest.
The Warrior’s Way.
Shangdown: The Way Of The Spur.
Client 9: The Rise and Fall of Eliot Spitzer.
The King’s Speech.
Hunt to Kill.
I went for a wander a few streets over from the main drags today, starting at the International Anthony Burgess Foundation, and found some very interesting stuff. Some of the potential locations made me want to write another film script, just so we could film in them.
I ended up in the Northern Quarter and got a few shots of fake shop fronts being put up on Dale Street to turn it into a little bit of 1940s New York.
There are a load of pictures on Flickr.
A Film Unfinished.
The Walking Dead.
Map of the Sounds of Tokyo.
The Big Uneasy.
Who is KK Downey?
Age of the Dragons.
Legends of the Canyon.