As well as digitally inking this page, I also sketched the figures from my Daz posed reference images, rather than using the light box to trace their proportions, when I did the pencils. It feels freer this way, though I wish I’d done a better job on Rosemary’s mother in the third panel. All the pages, and the script, are open to revision later on, when I’m more confident of my art, or need to come back and make changes for the sake of continuity.